The challenges of working with a legacy of bug-filled technology has been my main obsession. Using self-developed digital tools, found footage from art history, and technological uchronias, my work engages with topics that explore notions of appropriation, authorship, techno-phobias, digital/organic nature, new media art conservation, and media archeology.
Interactive installation which replace the face of the viewer with corrupted generative images.
Random instants of VRAM data interpreted as color presented in different formats.
2015 / ∞