The challenges of working with a legacy of bug-filled technology has been my main obsession. Using self-developed digital tools, found footage from art history, and technological uchronias, my work engages with topics that explore notions of appropriation, authorship, techno-phobias, digital/organic nature, new media art conservation, and media archeology.
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Interactive installation which replace the face of the viewer with corrupted generative images.
2018
Ticket #9818
Random instants of VRAM data interpreted as color presented in different formats.
2015 / ∞
Deconstrucento
Generative animations of Renaissance paintings projected on framed canvases.
2015 / 2016